Thanks to those who entered our 2021 competition! A winner will be announced in August 2021. Details on the 2022 competition will be available in the spring. For your reference, a summary of the 2021 rules is below.
- Open to U.S. and Canadian composers ages 18-40. The Capital Hearings, family members, those with close professional relationships (e.g., teacher/student), and previous winners are not eligible.
- Entries must be scored for unaccompanied mixed choir, suitable for performance by 12-14 voices, either with or without divisi. Entries must be between two and five minutes in length.
- Any style or genre of music is permitted (e.g., works need not be “classical”). Jazz, pop, rock, world, crossover works, etc., are all welcome.
- Works must be original compositions (not arrangements), except that limited excerpting for artistic reasons is allowed.
- Works must not have received a non-academic premiere (see rules). Works must be unpublished, except self-published unsold works withdrawn from sale during the competition (see rules).
- All texts must be cleared for performance and commercial recording, and evidence of copyright holder’s permission must be shown. For further guidance, see here but note that works from before 1926 are now usually in the public domain.
- $1,000 cash award. We will also provide the winner with an archival recording of the premiere or an early performance.
- The winner will be announced in August 2021. All entrants will be notified by email, and the winner will also be announced on our website.
- The Capital Hearings will have a two-year exclusive right to make the first commercial recording, with standard royalty rates paid to the composer. Any future publication of the score must reference that the work was a prize-winner in this competition.
- Only one work per composer will be accepted.
- The competition will be judged anonymously. A committee will identify finalists, and the full ensemble will select the winner.
- Entrants must submit an online application form, full score, audio realization (MIDI, MP3, etc.), standalone version of the underlying text (if not included in the score), and translation (if not in English).